Tulsa Foundation for Architecture champions the art of good design and celebrates Oklahoma’s architectural heritage through education, advocacy and archives.
We are Tulsa’s voice for architecture and design.
OUR CORE VALUES
OUR EIGHT STRATEGIC GOALS
President: Ted A. Reeds II, AIA, Ted Reeds Architecture
Vice-President: James E. Turner, AIA, Cyntergy
Secretary: Maggie Brown, Tulsa Historical Society & Museum
Treasurer: LouAnn Smith, Stava Building Corporation
Immediate Past President: Tony Lenox, ONE Gas
David Atkinson, One Property Management
Maggie Brown, Tulsa Historical Society & Museum
Ken Brune, The Brune Law Firm
Ken Busby, Route 66 Alliance
Meagan Farley, KKT Architects
Shane D. Hood, W Design
Kimberly Honea, Sharp Development
Eric King, GH2 Architects, LLC
Kayla Lee, Simon Lee Design
Tony Lenox, ONE Gas
Leslie Moore, 45 Design & Oklahoma State University
Scott Pohlenz, Pohlenz Architects
Ted Reeds, Ted Reeds Architects
Alynchia Reynolds, Look Properties
LouAnn Smith, Stava Building Corporation
Jim Turner, Cyntergy AEC
Roger Coffey, AIA, Olsen Coffey Architects (retired)
Nancy Hermann, Tulsa Performing Arts Center (retired)
Matt King, AIA, King Architectural Solutions
Kristen LaBass, LaBass Design
Kip Leikam, Leikam Investments
John Mabrey, Mabrey Bank
Lanny McIntosh, FAIA, The McIntosh Group, LLC
Leisa McNulty, AIA, LMMA Design
Julie Miner, INCOG
Martin L.J. Newman, Walter & Associates
Christy Craig Thames, Own Tulsa Real Estate
Mary Lee Torbert, ASID
Tom Wallace, Wallace Design Collective
Michael Wallis, Author
Without Herb Fritz, AIA, TFA would not be here today.
TFA will always be grateful to the late George R. Kravis II for his enduring inspiration and support.
We deeply miss our friend, graphics guru, and advisor, Kerry Walsh.
Amber Litwack, PhD
Amber Litwack, PhD joins the Tulsa Foundation for Architecture from ahha Tulsa (formerly the Arts & Humanities Council of Tulsa), where she most recently served as Director of Education and Exhibitions. As part of ahha’s Executive Leadership Team, she developed and oversaw key organizational initiatives, including THE EXPERIENCE, a large-scale immersive exhibition, THE STUDIO, a fine arts focused maker space, and Any Given Child-Tulsa, a national partnership among the John F. Kennedy Center in D.C., The City of Tulsa, Tulsa Public Schools, and 14 Tulsa arts and cultural institutions. Litwack brings to this role over 20 years of experience in the nonprofit sector and has extensive experience in program development and evaluation, community partnerships, fundraising, strategic planning, and public presentation. Additionally, Litwack serves as an Adjunct Professor in The Graduate School of Museum Studies at The University of Tulsa.
Litwack is an active member of the Tulsa community. She has served on a variety of nonprofit boards and committees and has held various volunteer jobs. Recently she served on the Downtown Coordinating Council’s Community Engagement Committee, where she helped to bring the largest augmented reality mural in the world to downtown Tulsa. At the state level, Litwack served on the Oklahoma Arts and Education Task Force and has acted as a grant review panelist for The Oklahoma Arts Council for the past six years.
Litwack has been recognized extensively for her work. Highlights include being named as a “Woman of Distinction” by Tulsa Business and Legal News, being named a “Change Maker” by the Charles and Lynn Schusterman Family Foundation, and being recognized by Oklahoma Magazine as a “Top 40 Under 40” young professional in Oklahoma. Additionally, two Programs directed by Litwack have won Oklahoma Governor’s Arts Awards.
Litwack holds a BFA in Graphic Design and a BA in Art History from The University of Tulsa, a MA in Arts Education from The University of Tulsa and a PhD in Educational Leadership from Oklahoma State University. In 2015, she completed a Project Zero Fellowship at The Harvard Graduate School of Education. A lifelong learner, Litwack recently completed Oklahoma Center for Community Justice’s Inclusive Leadership Institute, and Nonprofit Management Certification through the Oklahoma Center for Nonprofits.
Litwack proudly resides in an historic home in Tulsa’s oldest neighborhood, Owen Park, with her husband, Zach, an Emmy Award winning filmmaker, and her rescue French Bulldog, Lola. In her free time, Litwack enjoys traveling, creating art in a variety of mediums, reading, and searching vintage stores for one-of-a-kind treasures from decades past.
Ellen Stanley moved from volunteer to Tours Coordinator in early 2020. Her interest in architecture and Tulsa’s history grew as she first took tours, then led them, then began to write them.
Never afraid of public speaking, Ellen has spent the last few decades teaching art, science, and outdoor education programs. She has organized learning opportunities and entertainment for young and old. Always curious herself, facilitating continuous learning for others was an easy passion.
When not at work, Ellen is renovating a stone house on a small mountain in Tahlequah, hiking trails around the state, kayaking on lakes and rivers or playing one of her many ukuleles on the screened porch while watching the plentiful wildlife share her acreage.
Tulsa Foundation for Architecture was created in the 1990s to change the way Tulsa sees itself and treats its built environment.
It was at a time when downtown Tulsa was being abandoned, historic buildings leveled for parking, street improvements failed the pedestrian, zoning codes favored the automobile and there was a lack of overall vision.
Tulsa’s success with the federal Urban Renewal program in the second half of the 20th century far outpaced many of its competitors. Tulsa forever altered the architectural landscape of downtown, as wide swaths of smaller-scale buildings dating to the turn of the 20th century fell to the wrecking ball to make way for new development. In Tulsa’s case, Urban Renewal left a legacy of significant midcentury structures in its wake, such as the Yamasaki-designed Williams Tower – so whether one considers Urban Renewal a raging success or a disaster is a matter of perspective.
Urban Renewal was designed to bring people back downtown in an era of rapid suburbanization. Shoppers abandoned the city center for the mall, and new highways cut downtowns off from residential neighborhoods. This period also gave rise to a rash of demolitions by downtown property owners for surface parking lots. Highways rammed through close-in historic neighborhoods. By the late 1980s, much of Tulsa’s beautiful urban fabric had become a sea of asphalt. Something had to change.
In 1995, a group of architects and preservationists formed a new nonprofit to provide a credible voice and expertise in the area of historic preservation. Tulsa Foundation for Architecture was born out of AIA Eastern Oklahoma, the local chapter of the American Institute of Architects. AIA needed a repository for collections of architectural drawings. The community needed a nonprofit organization to provide expertise and leadership in historic preservation, urban design and architecture.
Elaine Bergman, who was then director of AIA Eastern Oklahoma, brought together local architects Ted Reeds, Lanny McIntosh, Herb Fritz, and Leisa Marshall McNulty along with engineer Tom Wallace and realtor Marty Newman. This group of dedicated stewards of our built environment founded Tulsa Foundation for Architecture (TFA). Elaine Bergman ultimately became TFA’s first executive director and instituted many programs.
Our first ambitious effort was to deliver city design conferences that were patterned after the “Mayors Institute on City Design” (MICD). In partnership with Tulsa’s Mayor, an MICD alumni, AIA Eastern Oklahoma and Tulsa Foundation for Architecture created dynamic day-long events in order to bring our Mayor’s national experience home. In the following years we observed transformative change from the almost two thousand attendees. Participants included city managers, city planners, key staffers representing streets and parks, architects, realtors, real estate owners, neighborhood representatives, educators and the press. These events, held over a period of several years, proved to be highly influential and led to a new vision in our community – a vision where design matters.
Today, TFA continues to build on its original mission to serve as a resource that recognizes, records and preserves the built environment, and advocates quality future development that enhances Tulsa’s livability. Creating a culture that embraces the value of our architectural history is central to TFA’s purpose. Please sign up for our email list to stay in the know about our events and tours.
TFA also owns an extensive collection of original architectural drawings of many significant Tulsa buildings and residences, such as the Medical Arts Building, Warehouse Market, Southern Hills Country Club, the Tulsa Assembly Center, The Mabee Residence, and the Otis McClintock Residence. TFA’s Archives also hold architectural periodicals (Pencil Points, Progressive Architecture, Architectural Forum, and Architectural Record) dating from 1920 to 1980, newspaper clippings, a technical library, photographs, project specifications and artifacts. No other institution in Tulsa gathers this material.
Photo Credit: Boston Ave 1978- Beryl Ford Collection. Boston Ave 2005- Ed Sharrer.
Tulsa Foundation for Architecture makes its home in the Ponca City Savings & Loan building, a striking 1956 landmark designed by Tulsa architect Robert Buchner. The building houses TFA’s offices and Archives, a library, conference room and exhibit space. TFA shares the space with AIA Eastern Oklahoma.